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I don’t mean to suggest that there isn’t work to be done of course, but we’ve hit a point where the lie espoused by the industry gatekeepers, that ‘there isn’t an audience for kids comics’ or ‘there isn’t an audience for girls’ or women’s comics’ has finally been put to rest. Oh, the gatekeepers hung onto it as long as they could, ‘webcomics aren’t comic books’ or ‘manga aren’t comics’ or whatever nonsense they dug up….Comics for kids sell now…Comics for girls (and boys) like Smile continue to sell very well. Despite the gleeful hand rubbing over the demise of manga, it still sells quite well, thanks. And the internet…? The internet is home to a fantastically diverse array of cartoonists either making their living or a significant chunk of it from the online serialization of their work–and they’re coming for print too. They are COMING FOR PRINT.

Basically, the gates are down. There are smart publishers, and they aren’t turning down projects by rote anymore. Projects with queer characters, for girls, for women, for kids, for people of colour. And where there aren’t publishers, there are now distribution systems for creators to put their work directly in the hands of readers.

Christopher Butcher, manager of The Beguiling comic book store, reacting to the news that Raina Telgemeier’s Smile is #1 on the NYT Graphic Books Bestseller’s list.
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